Clare Cameron
Overview
- Ethnicity
- White / European Descent
- Age Range
- 34 - 42
- Height
- 5' 4" (1m 63cm)
- Weight
- 12st. 6lb. (79kg)
- Hair Colour
- Brown
- Eye Colour
- Hazel
- Build
- Medium
Images
Audio
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audio fileClare Cameron: NY Accent, Character voice
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audio fileCommercials Voicereel
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audio fileNorth West UK Accent
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audio fileMulti-Accent Children's Story
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audio fileLatest VO Demo
- Show All 5 Files
Video
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video fileClare Cameron 2019 Showreel
Agent
-
Keddie Scott Associates...Agent
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01282 707 968Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Office Receptionist
Television |
The Other One Holly Walsh / Tiger Aspect Productions |
|
2019 |
Carole
Theatre |
PURGE Manchester ADP |
The Lowry/Oldham Coliseum |
2018 |
Karen
Television |
Emmerdale Clive Arnold / ITV |
|
2018 |
Jude
Theatre |
The Replacement Child Martin Gibbons / Abooo Theatre |
Hope Mill Theatre |
2017 |
Stella Howard
Theatre |
Making Waves/ JB Shorts 18 Megan Griffith / Reallife Theatre |
53:two |
2017 |
Marie
Theatre |
What I Felt Whilst Under You Alyx Toyle / Wonderhouse Theatre |
Hope Mill Theatre |
2017 |
Manager
Theatre |
Contractions Sam Redway-Wells / Play with Fire Productions |
53two |
2017 |
Carole/Mum/Ensemble
Theatre |
Purge Heather Carroll / Play with Fire Productions |
53:two |
2017 |
Ellana
Theatre |
OCSE Training Alex Keelan / Salford University |
|
2017 |
Janet
Theatre |
Waiting Sushil Chudusama / Oldham Coliseum |
Oldham Coliseum |
2017 |
Nurse
Theatre |
The Resistance Sushil Chudusama / Oldham Coliseum |
Oldham Coliseum |
2017 |
Theresa
Film |
Relinquished Rosie Cullen / Didsbury Filmakers |
|
2017 |
Tamara Gradwell-Grindley
Theatre |
Never Wonder/What the Dickens Joyce Branagh / Oldham Coliseum/Manchester ADP |
Oldham Coliseum |
2017 |
Marie
Theatre |
What I Felt Whilst Under You Lucia Cox / Wonderhouse Theatre |
Hope Mill Theatre |
2017 |
Lou
Event |
Maybe, Baby/PUSH 2017 Joyce Branagh / Abooo Theatre |
HOME |
2017 |
Marla
Theatre |
Classmates Kayleigh Hawkins / Abooo Theatre |
HOME |
2016 |
Miriam
Theatre |
The Bespoke Suit Craig Sanders / Scripts Aloud |
The Lowry |
2016 |
Jane Fraser
Television |
Emmerdale David Kester / ITV |
|
2016 |
Mum
Theatre |
Your Stories/BIRTH Festival Andy Routledge / Abooo Theatre |
Royal Exchange Theatre |
2016 |
Raz in Word on a Wing
Theatre |
North South Shorts Craig Sanders / MAP |
53:two |
2016 |
Mum
Theatre |
Everybody Said Rebecca Taylor / Abooo Theatre |
HOME |
2016 |
Teresa
Theatre |
Two Mothers Kayleigh Hawkins / Abooo Theatre |
HOME |
2016 |
Karin in Humble
Theatre |
JB Shorts 15 Chris Honer / Reallife Theatre |
Joshua Brooks |
2016 |
Jean
Theatre |
Little Boy Lost Joel Parry / Scripts Aloud at the Kings Arms |
The Kings Arms |
2016 |
Nancy
Theatre |
Swinging Joel Parry / ADP Manchester |
The Kings Arms |
2015 |
Theresa
Theatre |
Two Mothers Dan Jarvis / ADP Manchester |
The Kings Arms |
2015 |
Miriam
Theatre |
The Bespoke Suit Craig Sanders / ADP Manchester |
Action Transport Theatre |
2015 |
Maggie
Theatre |
The Songs he Left Unsung Dan Jarvis / ADP Manchester |
The Kings Arms |
2014 |
Megan
Film |
Lucina Khieng Ly / Picture Show Productions |
|
2014 |
Liv in Good Vibrations
Theatre |
JB Shorts 12 Joyce Branagh / Reallife Theatre |
Joshua Brooks |
2014 |
Ana
Film |
The Oakcroft Working Bernard Farrell / Juni Creative |
|
2014 |
Rose
Theatre |
JB Shorts 11 Sushil Chudasama / Real Life Theatre |
Joshua Brooks |
2014 |
Jocasta/Messenger/Soldier
Theatre |
Oedipus Retold Robert Gillespie / Jane Nightwork Productions |
Tristan Bates Theatre |
2014 |
Julie
Theatre |
Ms Julie David Walker / Write for the Stage |
The Kings Arms |
2014 |
Zed
Theatre |
Village Wooing Robert Gillespie / Jane Nightwork Productions |
Tristan Bates Theatre |
2013 |
Isabel
Theatre |
Portia Robert Gillespie / Jane Nightwork Productions |
Tristan Bates Theatre |
2013 |
Sarah
Commercials & Industrials |
Rosetta Stone Language Learning DVD Steve Bettridge / Phaebus Media Group |
|
2013 |
Addie Scott
Theatre |
Blue Dot Gina Frost / 3 Minute Theatre |
|
2013 |
Jane
Commercials & Industrials |
Schizophrenia Awareness Training Film Jamie Austin / HavasLynx |
|
2013 |
Photographer
Commercials & Industrials |
Media Awareness Training Film Ash Greenslade / Essex Police |
|
2013 |
Reporter
Commercials & Industrials |
Media Awareness Training Film Ash Greenslade / Essex Police |
|
2013 |
News Reporter (Cathy)
Commercials & Industrials |
First Transport Group Conference MojoFuel |
|
2013 |
Deborah (Mum)
Commercials & Industrials |
First Transport Group Training Film Eli Hourd / MojoFuel |
|
2013 |
Mum
Commercials & Industrials |
Subway Jonathan Herman / Blink Productions |
|
2013 |
Warrant Officer (WO2) Brenda Marsden
Commercials & Industrials |
WO British Army Training Victoria Strachan / The Garnett Foundation |
|
2013 |
Louise
Commercials & Industrials |
Cambridge University Press Phaebus Media Group |
|
2012 |
Mum
Commercials & Industrials |
McCarthy and Stone Carl Prechezer / Moon Film |
|
2012 |
Jane
Commercials & Industrials |
Essex Police TRIM Training Film Duncan Gregory / Essex Police |
|
2012 |
Mirabelle
Commercials & Industrials |
Raising Your Game 4 Emma Kilbey / The Garnett Foundation |
|
2012 |
April Mahoney
Theatre |
I Wonder How Far I Can Get (Feature Script) Gary Thomas / Gary Thomas Films |
|
2012 |
Jo
Commercials & Industrials |
Tesco Customer Service Training Film Toby Meakins / The Edge Picture Company |
|
2012 |
Sandra
Commercials & Industrials |
RAF Mediation Ali Adolph / The Garnett Foundation |
|
2012 |
Corporal Kim Shaw
Commercials & Industrials |
British Army SNCO CLM Training Ali Adolph / The Garnett Foundation |
|
2012 |
Care Assistant
Commercials & Industrials |
UK Power Networks Corporate Video James Bedford / The Edge Picture Company |
|
2012 |
Witness I-84 Messiah
Commercials & Industrials |
Lullaby by James Walsh Ulf Johansson / MPC |
|
2012 |
Jenny Young
Theatre |
Denial Adam Spreadbury-Maher / A Good Night Out Presents |
Kings Head Theatre |
2012 |
Penny/Ensemble
Theatre |
Someone to Blame David Mercatali / A Good Night Out Presents |
Kings Head Theatre |
2012 |
Marie Sidonie-Cressaux
Theatre |
Queens of France Trevor Danby / Leatherhead Rep |
Leatherhead Theatre |
2012 |
Martine, Noughties Mother
Commercials & Industrials |
P&G Live Commercial Martin Gibbons / Canyon |
|
2012 |
Sally
Commercials & Industrials |
North Middlesex Hospital (Embracing Diversity) Ali Adolph / The Garnett Foundation |
|
2012 |
Natalia
Commercials & Industrials |
Connection Charity (Diversity Training) David Semark / The Garnett Foundation |
|
2011 |
Amanda Bonner
Film |
The Turing Enigma Pete Wild / Mad Manc Media |
|
2011 |
Maria
Theatre |
Love, Question Mark Robert Gillespie / Jane Nightwork Productions |
The Tabard Theatre |
2011 |
The Architect
Theatre |
Like A Fishbone Zoe Sharp / The Cockpit Theatre |
|
2011 |
Marion/Sarah
Theatre |
Someone to Blame David Mercatali / Theatre 503 |
|
2011 |
Brenda/Briony
Commercials & Industrials |
Raising Your Game 2 Ali Adolph / The Garnett Foundation |
|
2011 |
Brenda/Briony
Commercials & Industrials |
Raising Your Game 3 Amanda Osborne / The Garnett Foundation |
|
2011 |
Brenda
Commercials & Industrials |
Royal National Orthapaedic Hospital (Diversity Training) Ali Adolph / The Garnett Foundation |
|
2011 |
Therese
Commercials & Industrials |
Eversheds ( Anti-Bullying & Harassment) Ali Adolph / The Garnett Foundation |
|
2011 |
Levina
Commercials & Industrials |
Surrey County Council ( Diversity Training) Ali Adolph / The Garnett Foundation |
|
2010 |
MIrabelle
Commercials & Industrials |
Raising Your Game 1 Nigel Miles-Thomas / The Garnett Foundation |
|
2010 |
Eve
Film |
All I Ever Wanted Leticia Soper / University of Bedfordshire |
|
2010 |
Corinne
Theatre |
The Country Emma Butler / Mountview PG Directors Showcase |
Mountview |
2010 |
Maria
Theatre |
Love, Question Mark Robert Gillespie / Jane Nightwork Productions |
The Old Sorting Office, Barnes |
2010 |
Regina Harbottle
Theatre |
The Stalking Circle Rogue Writers |
The Canal Cafe |
2010 |
Mum
Online & Multimedia |
Mummysworld Infomercial Ivana Davidovic / Real Village |
|
2010 |
Maria
Theatre |
Love, Question Mark Robert Gillespie / Jane Nightwork Productions |
New Diorama Theatre |
2009 |
Heather
Commercials & Industrials |
Bayer Corporate Training Video Pop Productions |
|
2009 |
Ronnie, Customer Service Assistant
Commercials & Industrials |
Tesco Corporate Training Video Media Zoo |
|
2009 |
Actor
Theatre |
The Unimportant History of Britain Martin Cort / Interrupt the Routine |
Above the Stag |
2009 |
FVO
Voiceover |
St Lucia Tourist Board Wedding TV |
|
2009 |
FVO
Voiceover |
Wedding TV Promo Wedding TV |
|
2009 |
Caliban
Theatre |
The Tempest Simon Beyer / A Good Night Out |
The Cock Tavern Theatre |
2008 |
Jeanne
Event |
Useless Mouths Robert Gillespie / Jane Nightwork Productions |
National Theatre Studio |
2008 |
Angie
Theatre |
The Hood If You Dare Productions |
Arch 635 |
2008 |
Aline
Theatre |
Chains Robert Gillespie / Jane Nightwork Productions |
Trafalgar Studios |
2008 |
Sharon
Theatre |
The Bar Lotte Wakeham / If You Dare Productions |
Barons Court Theatre |
2008 |
FVO
Voiceover |
Why won't you tell me? Nicola Field/Cris Texeira / Steam Control |
BFI Southbank |
2008 |
Nurse Jenny/Mrs Bennett/Cassandra/Angela Rippon
Theatre |
You've been a wonderful audience Jeremy Bond / Drowning Fish Productions |
Barons Court Theatre |
2007 |
Miriam
Film |
The problem with... Draken Sly / Bournemouth Media School |
|
2007 |
Janet
Video |
Seven Minutes Sybil Ah-Mane / Subterranean Highs |
|
2007 |
Female Lead
Commercials & Industrials |
Dove Deodorant Corporate Training Video Craig Duncan / Squaredog & Roundcat |
|
2007 |
Fiona
Theatre |
How to be a good Zimbabwean David Mercatali / Writing Wrongs |
The Oval House Theatre |
2007 |
Ben's Mum
Voiceover |
A Vicious Circle Simon Moss / Bournemouth Media School |
|
2007 |
Ross/Fleance
Theatre |
Macbeth David Rowan / Cambridge Shakespeare Company |
Girton College Gardens |
2007 |
Biondello/Widow
Theatre |
The Taming of the Shrew David Rowan / Cambridge Shakespeare Company |
St John's College Gardens |
2007 |
Narrator
Theatre |
Little Red Riding Hood Sean McGrath / AlterEgo Theatre |
|
2007 |
FVO
Voiceover |
Castwords Cris Texeira & Nicola Field / Steam Control |
The V&A Museum |
2006 |
Cordelia & Ophelia (Twins)
Film |
Beneath Our Masks Thomas Cardwell / Natural Flair Productions |
|
2006 |
Jane Austen
Theatre |
Jane Austen Makes A Match Carol Hall / JaMaM Productions |
|
2005 |
Aladdin
Theatre |
Aladdin Mark Pollard / Alligator Theatre Company |
|
2005 |
Telephone Market Updates
Voiceover |
Market Report Updates Jane Thomas / Financial Times |
|
2004 |
Mica
Film |
Cab Hustle Osita Aneke / Futura3000 |
|
2004 |
Christina Rossetti
Theatre |
Loving Ophelia Hannah Price / The Pleasance, London |
|
2004 |
Cardinal Morton
Theatre |
Bobby Fishkin's Richard III Harry Brunjes / The Bloomsbury Theatre, London |
|
2004 |
FVO
Voiceover |
Threshers Ad - Radcliffe Wines Sam Brock / Radioville |
|
2004 |
Nell Gwynn
Theatre |
Playhouse Creatures Mellissa Morgan / The Chapterhouse Theatre |
|
2004 |
Haegue Yang
Theatre |
The Alterity Exhibition Haegue Yang / Lawrence O Hanna Gallery |
|
2004 |
Adela
Theatre |
The House of Bernarda Alba Jacqui Rice / Central St. Martins |
|
2004 |
Sam Fern
Event |
Corporate Roleplayer Terry Smith / Severn Trent Water |
|
2004 |
FVO
Voiceover |
Threshers Carlsberg Ad Sam Brock / Radioville |
|
2004 |
FVO
Voiceover |
Threshers Budweiser Ad Sam Brock / Radioville |
|
2004 |
Anna
Commercials & Industrials |
Thurrock County Council Training Video Catherine Palmer / Channel 2020 |
|
2004 |
Helen
Commercials & Industrials |
Brent County Council Training Video Catherine Palmer / Channel 2020 |
|
2004 |
Nurse
Film |
War Crimes Adrian Banton / Adrian Banton Productions |
|
2004 |
Alice
Theatre |
All Our Yesterdays David Mercatali / Blue Elephant Theatre |
|
2003 |
Street Woman
Television |
The Seven Wonders of the Industrial World: The Sewer King Ed Bazalgette / BBC |
|
2003 |
Waitress
Television |
Absolutely Fabulous Dewi Humphries / BBC |
|
2003 |
Mrs Corbett
Film |
Stage Beauty Richard Eyre / Lionsgate Films |
|
2003 |
Mary Boleyn
Television |
Henry VIII Pete Travis / ITV |
|
2002 |
Nancy
Theatre |
Oliver Twist Sonia Garbett / Jigsaw Theatre |
Education
Year | Qualification | Where |
---|---|---|
2002 | 2 yr. Acting | The Poor School |
1999 | Improvisation | Islington College |
1999 | Summer School | Webber Douglas |
About me
Spotlight page:www.spotlight.com/6538-6751-8232Reviews & interviews at www.clarecameron.com
Additional skills:
Theatrical Firearms training
Driver (full, clean license),
Law graduate.
Additional information:
REVIEWS:
CONTRACTIONS by Mike Bartlett, 53:two, Manchester
"Cameron has lovely comic timing.... She plays the ultimate jobs-worth in a totally believable way, despite the absurdity of her words." The Reviews Hub
"The comic timing of ‘The Manager’ played by Clare Cameron was impressive and the dynamic between both characters was brilliant. The two contrasting characters worked well together."
North West-End
"what is particularly effective is Clare Cameron’s absolute deadpan performance in The Manager’s role." I Love Manchester
"Clare Cameron is in full Theresa May mode: condescending, utterly indifferent to the effect she is having upon employees and, worse of all, convinced she is doing the right thing."
Manchester Theatre Awards
PORTIA, Tristan Bates Theatre, London
A one-woman show, written and directed by Robert Gillespie for Clare for the Women in Arts Festival, Dec 2013. Selected no. 5 in Top Ten Theatre shows 2013 www.entertainment-focus.com/theatre-section/theatre-news/top-10-theatre-of-2013.
★★★★★ Entertainment Focus
★★★★ Remote Goat
"Cameron’s richly varied and nuanced performance is nothing short of superb"
Entertainment Focus
"We were whisked through a character’s family and love life, a whole rehearsal process and some large extracts of Shakespeare, as well as the more serious themes of gender, religion, and abortion, under the deft control of sole performer Clare Cameron"
Remote Goat
DEINAL, Kings Head Theatre, London
★★★★ The Guardian
★★★★ What's On Stage
★★★★ Entertainment Focus
★★★★ The Public Reviews
★★★★ The Jewish Chronicle
★★★★★ Onestoparts
★★★★★ Ham & High
"gutsy performances, particularly from Cameron"
www.timeout.co.uk
"our sympathies are also enlisted for the troubled Jenny, whom Clare Cameron invests with a blazing anger"
www.guardian.co.uk
"Clare Cameron is particularly fine in handling her moments of breakdown"
www.britishtheatreguide.info
" Clare Cameron (whom we last saw in EF's top-rated production of 2011, Love, Question Mark) delivers another astonishing performance of raw emotion as the disturbed Jenny Young. Her intense portrayal bears out over the course of the play the terrifying reality of somebody convinced they're right. Where she violently loses control she shocks the audience into silence through heart-wrenching displays of naked anguish. Cameron gives a brave and acutely-considered performance that it's impossible to look away from."
www.entertainment-focus.com
"Clare Cameron as the daughter/patient has the most challenging acting task, and convincingly takes her character on the journey from scepticism through vulnerability to rage, self-righteousness and the mechanical parroting of psychobabble - all the more impressively as Wesker's fragmented structure makes her go through those stages out of sequence."
www.theatreguidelondon.co.uk
"director Adam Spreadbury-Maher had to demand performances from his cast that revealed the depth of their trauma without toppling into parody. He gets that from Clare Cameron, whose damaged Jenny teeters on The Edge of rage at all times and just once externalises it physically, violently, frighteningly."
westend.broadwayworld.com
"..compelling drama...Clare Cameron, establishes a character who is angry and vengeful to the point of hysteria"
www.islingtongazette.co.uk
"a wholly convincing Clare Cameron"
www.extraextra.org
"Clare Cameron as Jenny effectively channels her character's anger and sense of betrayal, swearing and acting flippantly during a session with her therapist before breaking into a genuinely shocking violent fit"
www.camdennewjournal.com
"Cameron arouses both dislike and intrigue as the bearer of the fatal, pointing finger....A must-see show."
onestoparts.com
"A cleverly written, thought provoking piece, with fine performances from the whole cast"
bargaintheatre.tumblr.com
SOMEONE TO BLAME, Kings Head Theatre, London
dir. David Mercatali
★★★★ The Independent
★★★★ What's on Stage
★★★★ Entertainment Focus
★★★★ The Public Reviews
★★★★★ Ham & High
"A powerfully compelling and convincing verbatim piece" The Independent
"theatre that challenges, changes views and raises awareness" Whatsonstage.com
"gripping...brought vividly alive" British Theatre Guide
"highly charged...sharply crafted.." Time Out
"theatrical dynamite" ExtraExtra
"Clare Cameron, currently also starring in Denial, continues to impress in a multitude of parts ranging from the feckless teenage "witness" who claims to have seen Hallam attack Kassahun to Hallam's hard-edged solicitor. The latter role sees Cameron and Crouch opposite two police officers in an interview room. It's one of the most memorable scenes in the play, with Cameron's solicitor refusing to give ground to increasingly belligerent officers, and Crouch reduced to repeating 'no comment'. It's a great showcase for Cameron's incredible versatility as an actor, as she slips seemingly effortlessly between characters often in the space of a few heartbeats." Entertainment Focus
"Unilaterally the ensemble was fantastic; giving performances amazing for their simplicity...David Mercatali's 's direction is seamless and vibrant..I defy you to stay unmoved" The Public Reviews
"a tightly constructed and pacey piece of work that weaves a myriad of voices into a compelling drama" Fourth Wall
"With beautiful simplicity, the inherently dramatic nature of the saga surrounding the accusation and imprisonment of Sam Hallam is replicated onstage" A Younger Theatre
"a strong cast who make their roles alive" British Theatre Guide
"an excellent piece of political drama. ...immaculate character interpretation and timing - which all of the actors achieve to perfection" Islington Now
"The range displayed by the ensemble is nothing short of fascinating, Clare Cameron is evenly convincing both as the apathetic key witness and Sam's obstinate lawyer." ExtraExtra
"The ensemble actors, however, are the ones who stole the show, with their ability to flip-flop from chav to posh attorney in seconds. .....Clare Cameron gave ice-queen a whole new meaning in her simultaneous characters, impressing us with her various juxtaposed roles." So So Gay
"An enthusiastic ensemble bound around the stage and flip from surly eyewitnesses to composed lawyers with ease."Fourth Wall
" A cracking and well produced play. . . Highly recommended" Hackney Citizen
LOVE, QUESTION MARK, Tristan Bates Theatre/The Tabard Theatre, London
"an outstandingly brilliant performance by Clare Cameron who steals the stage from the very second she appears on it." Backstage Pass
"an outstanding performance from Clare Cameron as Maria........Cameron commands the night in Love, Question Mark and justly so." www.ayoungertheatre.com
"The show also features a stand-out performance by Clare Cameron..." www.spoonfed.co.uk
"Clare Cameron's sultry, smouldering Maria...abused all her life but oozing sex, comes with her own agenda " www.thepublicreviews.com
"Clare Cameron seethes and sizzles as the tempestuous Maria." www.curtainup.com
" ..wonderfully performed by Stuart Sessions and Clare Cameron." www.britishtheatreguide.info
REVIEWS: The Tempest
" Clare Cameron is outstanding as the rejected and enslaved Caliban..... Having seen The Tempest numerous times, Cameron is the most memorable and convincing of Caliban I have encountered and is a definite stand out in this production." www.fringereview.co.uk
"Clare Cameron plays a powerfully animalistic Calaban to great effect." www.remotegoat.co.uk
"Clare Cameron makes an excellent Caliban" www.whatsonstage.com
"Caliban played by Clare Cameron definitely stood out in the production..." www.extraextra.org
JANE AUSTEN MAKES A MATCH
"As for our heroines, it's never easy to portray women as well-loved and admired as Jane Austen and Elizabeth Bennet, but Clare Cameron and Kerry Steed respectively deliver vibrant and energetic performances that bring them brilliantly to life" (The Jane Austen Society)
REVIEWS: You've been a wonderful audience
"Both Clare Cameron and Mark Katz provided a sparkling counterpoint and added colour and texture to the drama" www.thisislondon.co.uk
'..Nurse Jenny admirably played by Clare Cameron,who seamlessly takes on other roles' (Remotegoat)
THE TAMING OF THE SHREW
"Clare Cameron was great as a northern monkey version of Biondello,Lucentio's servant." (Local Secrets)
License & Passport
Driver's License: | Yes |
Skills
Languages Spoken | English, French, German, Russian, Spanish |
---|---|
Accents/Dialects | American - General, Australian, English - Cockney, English - England North West (Liverpool, Manchester, Lancashire, Cheshire), English - Essex, English - General, English - London, English - Northern England, English - Received Pronunciation, English - Southwest England, English - West Midlands (Shropshire, Birmingham, Brummie), English - Yorkshire & Humber, French (Standard International), German, Irish, Mexican, New York, Northern Irish, Russian, Scottish, Scottish (Glaswegian), Scottish (Highland, Inverness), Southern American, Spanish (International Spanish) Acento Neutro, Welsh |
Dance Styles | Contemporary |
Organisations / Memberships | Equity (UK) |