Alex Freeman
Overview
- Ethnicity
- White / European Descent
- Age Range
- 45 - 55
- Height
- 5' 10" (1m 78cm)
- Weight
- 152lbs (69kg)
- Hair Colour
- Grey
- Eye Colour
- Green
- Build
- Slim
Images
Agent
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Dryblue agencyAgent
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+447716096309Contact
- Website
Other
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My Contact Number:
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
|
John
Theatre |
Le voyage d'Alice en Suisse (Bärfuss) Gian Manuel Rau / Compagnie Camastral |
Switzerland | |
| 2022 |
L'Anglais
Film |
Laissez-moi Maxime Rappaz / Golden Egg Productions [CH] & Fox The Fox [BE] |
|
| 2018 |
Pontifical Guard / CERN Scientist
Television |
Le 5e Cavalier (series) Cédric Chabloz, Julien Dumont, Jean-Daniel Schneider / ArtProd, NIFFF, RTS |
|
|
lead
Commercials & Industrials |
Franklin Covey Co. (USA) Ethan Vincent / Exile Productions (Austria) |
Switzerland | |
|
lead
Commercials & Industrials |
Cyber-Security (infofilm) SM Film & Music Productions / Christoph Salzmann |
Switzerland | |
| 2013 |
lead
Television |
The Vendor (TV film) Martin Melnick / Just Results Films |
United Kingdom |
|
Marmion, Man in Shop
Theatre |
Comic Potential (Ayckbourn) Malcolm Grant / Arenberg Schouwberg |
Belgium | |
| 2022 |
CIA Director
Film |
Operation Napoleon Óskar Thór Axelsson / Saga Film [IS] and Splendid Film [DE] |
|
| 2020 |
supporting
Film |
Selena (short) Guillermo Barrionuevo / Proyecto A |
Switzerland |
| 2014 |
supporting
Television |
Panorama: Tax (series episode) Steven Hobson / BBC One |
Switzerland |
|
Oliver
Theatre |
As You Like It (Shakespeare) Frances Favre / Geneva English Drama Society |
Switzerland | |
|
co-lead
Commercials & Industrials |
Andrew Alliance Tom Gutt / Up Films |
France | |
|
Man
Theatre |
Euridyce (Stewart) Neil-Jon Morphy / Festival of European Anglophone Theatrical Societies |
Switzerland | |
| 2019 |
supporting
Film |
Hometown Hero (short) Nevin George & Fabio Rothlin |
Switzerland |
| 2012 |
supporting
Television |
Zone d’ombre: the 1990 UBS bank robbery (series episode) Yannick Tenet / Radio Television Suisse |
Switzerland |
|
supporting
Commercials & Industrials |
Preise wie damals -- SBB Sparbillette Maxomedia & Shining Pictures / dir. Luki Frieden |
Switzerland | |
|
supporting
Commercials & Industrials |
Hotel Harmony TinCan Media GmbH / dir. Raphael Willi |
Switzerland | |
| 2019 |
supporting
Film |
Driven Crazy (feature) John Jorah Koster |
Germany |
|
Barracand
Theatre |
On Passe dans Huit Jours (Guitry) Magali Fouchault / Theatre LeCaveau |
Switzerland | |
| 2019 |
co-lead
Film |
Odin RIver (short; pre-prod) Barbara Glas / K3MK Films |
France, UK |
| 2019 |
co-lead
Film |
Songs of the Day After Barbara Glas / K3MK Films |
UK |
| 2018 |
supporting
Film |
The Keeper (feature) Marcus H. Rosenmüller / Lieblingsfilm (DE) & Zephyr Films (GB) |
Germany |
| 2018 |
co-lead
Film |
Gottardo (short) Yogi Parish / Parish in Pictures |
Switzerland |
| 2014 |
co-lead
Film |
Cassandra (short) Guy-Roger Duvert / Lidderdalei Productions |
France |
| 2012 |
under-five
Film |
Belle du Seigneur (feature) Glenio Bonder / Delux Productions |
Italy, Luxembourg, Switzerland |
| 2016 |
supporting
Film |
Pericles by Shakespeare on the Road (feature) Roberto Quagliano / Kamel Film Bologna |
Italy |
| 2017 |
co-lead
Film |
L'Arc-en-ciel de Mélanie (feature) Terence Lehane / Lehane Productions |
France |
| 2014 |
supporting
Film |
Paris 2ème (feature; post-prod) Oskar Rossetti / Fliphouse Productions |
France, Switzerland |
| 2014 |
co-lead
Film |
Protoplastos (short) Irene de Lucas / Nema Productions |
France |
| 2014 |
supporting
Film |
Le Premier Adieu (short) Jean-Briac Blouin / Fantastic Pictures |
France |
| 2012 |
supporting
Film |
Les Statues (short) Xavier Delagne / ESAV Toulouse |
France |
| 2012 |
co-lead
Film |
Mike (short) Nick Peterson / Brocken Clock Productions |
United Kingdom |
| 2019 |
Voice of Frank the Robot
Voiceover |
Human Resources of Ugago Ennio Ruschetti & David Oesch / Zürich Hohschule der Künste |
Switzerland |
Education
| Year | Qualification | Where |
|---|---|---|
| 2018 | International Masterclasses for Actors | Bernard Hiller Acting Studio 2010-2018 |
| 2017 | Masterclass for Actors | Film Acting School Cologne |
| 2017 | Comedy improv | Compagnie LesArts 2010-2017 |
| 2015 | Casting Workshops | Nancy Bishop Coaching |
| 2015 | Acting Workshop for Film, TV and Stage | Jack Waltzer’s Workshops |
| 2014 | Standard American Accent, workshop | Actors' Guild of Great Britain |
| 2014 | Intermediate Unarmed, Basic 18th C Smallsword | Academy of Performance Combat |
| 2014 | Casting for Screen, workshops | Actors' Guild of Great Britain |
| 2012 | Acting Masterclass | Ischia Film & Music Global Fest |
| 2010 | Acting workshops | Migros Cultural Percent |
About me
Alex Freeman grew up in England and Switzerland. He performed as a professional classical pianist, then as a stage and screen actor. A fluent English and French speaker, he has a wide range of multilingual and international acting experiences in many different countries. He trained with the Bernard Hiller Acting Studio.License & Passport
| Passport: | Yes |
| Driver's License: | Yes |
Skills
| Languages Spoken | English, French |
|---|---|
| Accents/Dialects | English - Cockney, French (Standard International), German, Upper-class American |
| Musical Style | Chamber, Classical |
| Vocal Types | Baritone |
| Singing Styles | Legit/Classical |
| Athletics | Running |
| Musical Skills | Piano/Keyboards |
| Organisations / Memberships | Equity (UK) |
| Work Permits | EU |
Highlights
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Alex Freeman was born in London, and spent his childhood in England until his family moved to Switzerland. He studied English literature and trained as a professional pianist, before focusing on acting in later years. Of mixed European background, with bilingual stage and screen acting experience and training, he trained with the Bernard Hiller Acting Studio.
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'the soul-stirring Alex Freeman'
Alexandre Demidoff, Le Temps, 17 October 2015
'a fascinating character, John, superbly interpreted by Alex Freeman'
Mireille Descombes, L'Hebdo, 22 October 2015
'you have a good voice and you command the stage well.'
Jan Palmer Sayer (Guild of Drama Adjudicators), 25 May 2012